As a child I stole my mom’s Stephen King novels from her bedside table (nothing like the lure of the forbidden!) and continued to read him through my teens. Over the last few years I’ve been a more sporadic King reader—skipping pretty much everything except Lisey’s Story since Bag of Bones—but when I heard Under the Dome was along the lines of one of my favorites, The Stand, I was ready to dive in.
Then I opened our galley and found out it started on . . . page 73. Oops. Gives a whole new meaning to the term in media res, doesn’t it?
Apparently we were the only unlucky ones, and Scribner got us a complete copy within a week. I’ve been working my way through the book ever since and can say that the Stand comparison is not too much of a stretch. After the jump, more on my impressions of the book so far (no real spoilers or plot details beyond those given in the published summary, but if you don’t want to know anything about this one before you buy, stop here).
Since Under the Dome takes place in a small town sealed off from the world, it lacks the epic feel of The Stand. However, as in The Stand King uses his characters’ predicament to address some major questions about human nature. The Stand asks if humans can avoid repeating their mistakes, and King’s answer is ambiguous. In Under the Dome, the emphasis here is on compassion—or, sparing that, pity. What could force us to feel these emotions for the people we hurt, or see being hurt? What makes us stop seeing people as people, and why? The world watches as the situation in Chester’s Mill goes downhill fast, and then turns away once the novelty of a town sealed off from the rest of the world fades and other news stories take top billing, recalling tragedies like Hurricane Katrina.
Under the Dome also contains signature King moments—images you’ll remember, for better or for worse. And though the cast is huge, the characters manage to stand out as individuals. King fans should definitely mark November 10 on their calendar.