Hot off the presses

It’s an industry standard to publish new books on Tuesdays, and today is no exception. If you’re interested in great new fiction, run to your local bookstore and pick up one of these Jan. 12 releases:

Bloodroot, a family saga set in the Smoky Mountains of Tennessee, is by debut author Amy Greene. In a behind-the-book essay with BookPage, Greene writes about her inspiration for the novel: “I saw a black-haired woman with wild blue eyes and her two hungry-looking children. The children were twins, a boy and a girl. There was something mysterious about the three of them, especially the woman, and I needed to figure out what it was. I pictured her and the twins living in isolation on that hill in the mountain woods, maybe hiding from some kind of danger. I don’t know where the image came from, but I was captured by it.”

Also related: BookPage editors Abby and Trisha report from a dinner with Greene and other Nashville-area book folks.

National Book Award-nominee Amy Bloom is back with Where the God of Love Hangs Out, a collection of short stories focused on “the way people act toward and react to one another,” according to BookPage reviewer Becky Ohlsen. Bloom’s “stories have an almost theatrical quality: she puts several people with complex relationships in a room and lets them have it out—sometimes in dialogue, but mostly through those perfectly tuned inner voices.” Also don’t miss Bloom’s 2007 novel Away.

We’ve blogged about Saving CeeCee Honeycutt before, and today you can see what all the fuss is about. Get a preview in an interview with BookPage, in which author Beth Hoffman writes how she found her voice as a writer creating “story ads” for her interior design studio.

Reader favorite Elizabeth Kostova gave us a sneak peak into The Swan Thieves in November, and today you can get the rest of the story. Kostova’s second novel (after mega-hit The Historian) is about love, obsession and French Impressionism. On writing about art, she told BookPage: “When I started going back to museums and seeing these paintings in the flesh, I was so overwhelmed by them. They’re so wonderful in real life, and Impressionism is so textured that you really have a sense of people working with the brush when you look at the originals that you don’t with reproductions.”

Which of these books will you be reading first? That’s a tough call for me, but since I live in Tennessee, I’m leaning towards Bloodroot. . .

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